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	<title>Comments on: 1.09 Octavo and Smaller Formats</title>
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	<description>Making and Marketing Schoolbooks in Italy, 1450-1650</description>
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		<title>By: Paul F. Gehl</title>
		<link>http://www.humanismforsale.org/text/archives/100/comment-page-1#comment-166</link>
		<dc:creator>Paul F. Gehl</dc:creator>
		<pubDate>Sat, 20 Jun 2009 21:56:12 +0000</pubDate>
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		<description>It may well have been an Aldine invention -- I cannot remember seeing it in earlier editions. Clearly it was intended to help the reader, but of course many speeches begin in the middle of a poetic line too, for example, toward the end of the second line on the right-hand page in this illustration. Some sixteeenth-century editions use all-caps abbreviations for the characters, which make the reading even easier.</description>
		<content:encoded><![CDATA[<p>It may well have been an Aldine invention &#8212; I cannot remember seeing it in earlier editions. Clearly it was intended to help the reader, but of course many speeches begin in the middle of a poetic line too, for example, toward the end of the second line on the right-hand page in this illustration. Some sixteeenth-century editions use all-caps abbreviations for the characters, which make the reading even easier.</p>
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		<title>By: Robert Williams</title>
		<link>http://www.humanismforsale.org/text/archives/100/comment-page-1#comment-67</link>
		<dc:creator>Robert Williams</dc:creator>
		<pubDate>Thu, 26 Mar 2009 17:36:40 +0000</pubDate>
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		<description>Is hanging the character names another Aldine innovation? Graphically, it makes it easier to follow the &quot;actors&quot; lines.</description>
		<content:encoded><![CDATA[<p>Is hanging the character names another Aldine innovation? Graphically, it makes it easier to follow the &#8220;actors&#8221; lines.</p>
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